How you can use this image

This image is available to be shared and re-used under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (CC BY-NC-ND).

You can reproduce this image for non-commercial purposes and you are not able to change or modify it in any way.

Wherever you reproduce the image you must attribute the original creators (acknowledge the original artist(s) and the person/organisation that took the photograph of the work) and any other rights holders.

Review our guidance pages which explain how you can reuse images, how to credit an image and how to find more images in the public domain or with a Creative Commons licence available.

Download

More information

Buy a print or image licence

You can purchase this reproduction

If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.

Order a print

Notes

Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

The picture, probably painted in 1612, bears witness to the influence of Rubens on Snyders’s art in the motif of the boar’s head on a platter, top right, which is copied from Rubens’s Recognition of Philopoemen (1610; modello, Paris Louvre). Snyders often inserted live figures into his still lifes to increase their sense of movement and dramatic tension: here the page, stealing a grape from the sumptuous display, acts as a warning to the audience of the dangers of temptation in the face of material luxury. The prominently displayed dead animals serve as a reminder of the transience of life, implying a need to invest in the spiritual rather than the material.