How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
The original version of this work was painted by Gibb in 1878 and is currently unlocated. The painting became iconic. While reading a life of Napoleon, the artist made a sketch of the retreat from Moscow. The dominant group of three figures in the foreground was then isolated and adapted to form an independent composition depicting a young soldier whispering his dying message to a comrade who seeks to comfort him in the snowy wastes of the Crimean winter. During the winter of 1854–1855 The Black Watch suffered particularly heavy losses from the severe weather and disease. This painting was purchased by Archibald Ramsden, a major patron of the artist, and was in his possession in 1897. The Museum holds a fine autograph replica in oils, signed and dated 1894.
Title
Comrades, the 42nd Highlanders
Date
1894
Medium
oil on canvas
Measurements
H 90 x W 70 cm
Accession number
B240
Acquisition method
gift from Mrs E. F. Webster, 1993; on loan to The Black Watch, 3rd Battalion The Royal Regiment of Scotland
Work type
Painting
Inscription description
Robert Gibb