How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Buy a print or image licence
You can purchase this reproduction
If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
Landscape and genre painter. Born in Geneva of French parents, Chalon came to England in 1789 and entered the Royal Academy Schools in 1796. Between 1801 and 1854 he exhibited eighty-six works at the Academy and became an RA in 1841.This painting is a study for Partridge's group portrait of members of the Sketching Society, which Chalon co-founded in 1808 with his brother, Alfred Edward Chalon. The sketching society in question was founded in 1808 by Francis Stevens, John James Chalon and Alfred Edward Chalon to study epic and pastoral design. According to Charles Robert Leslie, 'The members assemble, at six o'clock, at each other's houses in rotation. All the materials for drawing are prepared by the host of the evening, who is, for that night, President.
Title
John James Chalon
Date
1836
Medium
oil on millboard
Measurements
H 25.1 x W 20.3 cm
Accession number
4230
Acquisition method
Bequeathed by the widow of the artist's nephew, Sir Bernard Partridge, 1961
Work type
Painting