How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Buy a print or image licence
You can purchase this reproduction
If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
Positioned on the waterfront of the East River, we are looking across the partly frozen river towards the tall buildings of Lower Manhattan. The warehouse in shadow on the left and the massive hull of an ocean liner on the right form two powerful diagonals that meet at the sunlit Manhattan skyline, which rises from the water like a cliff face.Seen from a relatively low vantage point, the warehouse, liner and skyline form three sides of a box, the fourth wall of which is formed in part by the group of longshoremen, who are most likely waiting to unload the liner. By placing the men against the Manhattan skyline, Bellows ironically contrasts the dynamic centre of modern capitalism with the harsh reality of the people whose labour kept it functioning.
Title
Men of the Docks
Date
1912
Medium
Oil on canvas
Measurements
H 114.3 x W 161.3 cm
Accession number
NG6649
Acquisition method
Bought with a grant from the American Friends of the National Gallery, made possible by Sir Paul Getty’s fund, and by private appeal, 2014
Work type
Painting