How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
A refugee from Poland, Herman spent the decade 1944–1954 in Ystradgynlais where he painted his best-known works of mining themes. This is a study for his greatest painting, the monumental Miners, executed for the Pavilion of Minerals of the Island at the 1951 Festival of Britain. The artist began with the figure with an upraised arm at the left, only subsequently making narrative sense of its pose by incorporating it with a group of singers.
National Museum Wales, National Museum Cardiff
Title
Miners Singing
Date
1950–1951
Medium
oil & crayon on board with plaster
Measurements
H 43.5 x W 121.6 cm
Accession number
NMW A 1674
Acquisition method
purchased, 1992
Work type
Painting