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James Abbott McNeill Whistler

1834–1903

(b Lowell, Mass., 11 July 1834; d London, 17 July 1903). American painter, printmaker, and designer, active mainly in England. Initially he was called James Abbott Whistler, but after his mother's death in 1881 he added her maiden name to become James Abbott McNeill Whistler for a time, and eventually he dropped the ‘Abbott’.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 134 artworks

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Harmony in White and Blue 1860s James Abbott McNeill Whistler (1834–1903)

Harmony in White and Blue 1860s Leeds Art Gallery, Leeds Museums and Galleries
Nocturne: Grey and Gold, Westminster Bridge c.1871–1872 James Abbott McNeill Whistler (1834–1903)

Nocturne: Grey and Gold, Westminster Bridge c.1871–1872 The Burrell Collection
Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle 1872–1873 James Abbott McNeill Whistler (1834–1903)

Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle 1872–1873 Kelvingrove Art Gallery and Museum
Portrait of a Man in Evening Dress mid-1880s James Abbott McNeill Whistler (1834–1903)

Portrait of a Man in Evening Dress mid-1880s The Ashmolean Museum of Art and Archaeology
The Shore, Pourville 1899 James Abbott McNeill Whistler (1834–1903)

The Shore, Pourville 1899 The Ashmolean Museum of Art and Archaeology
Nocturne: Black and Gold - The Fire Wheel 1875 James Abbott McNeill Whistler (1834–1903)

Nocturne: Black and Gold - The Fire Wheel 1875 Tate
Symphony in White, No. 2: The Little White Girl 1864 James Abbott McNeill Whistler (1834–1903)

Symphony in White, No. 2: The Little White Girl 1864 Tate Britain
An Arrangement in Grey and Green: John James Cowan (1846–1936) c.1893 James Abbott McNeill Whistler (1834–1903)

An Arrangement in Grey and Green: John James Cowan (1846–1936) c.1893 National Galleries of Scotland, Scottish National Gallery
Nocturne: Blue and Gold - Old Battersea Bridge c.1872–5 James Abbott McNeill Whistler (1834–1903)

Nocturne: Blue and Gold - Old Battersea Bridge c.1872–5 Tate
Blue and Gold – A Sketch of a Screen (?) 1871–1872 James Abbott McNeill Whistler (1834–1903)

Blue and Gold – A Sketch of a Screen (?) 1871–1872 The Fitzwilliam Museum
Study of a Standing Woman, Seen from Behind 1870–1873 James Abbott McNeill Whistler (1834–1903)

Study of a Standing Woman, Seen from Behind 1870–1873 The Fitzwilliam Museum
Elinor Leyland (1861–1952) c.1873 James Abbott McNeill Whistler (1834–1903)

Elinor Leyland (1861–1952) c.1873 The Courtauld Gallery
Study for 'Harmony in Grey and Peach Colour' c.1873 James Abbott McNeill Whistler (1834–1903)

Study for 'Harmony in Grey and Peach Colour' c.1873 Manchester Art Gallery
Seated Lady, Reading 1871–1873 James Abbott McNeill Whistler (1834–1903)

Seated Lady, Reading 1871–1873 The Fitzwilliam Museum
Study for a Portrait of Miss Cicely Alexander c.1873 James Abbott McNeill Whistler (1834–1903)

Study for a Portrait of Miss Cicely Alexander c.1873 The Fitzwilliam Museum
Studies of Rosettes 1871–1874 James Abbott McNeill Whistler (1834–1903)

Studies of Rosettes 1871–1874 The Fitzwilliam Museum
Nocturne in Blue and Silver 1872–1878, butterfly added c.1885 James Abbott McNeill Whistler (1834–1903)

Nocturne in Blue and Silver 1872–1878, butterfly added c.1885 Yale Center for British Art
Nocturne: Blue and Silver - Cremorne Lights 1872 James Abbott McNeill Whistler (1834–1903)

Nocturne: Blue and Silver - Cremorne Lights 1872 Tate
Three Figures: Pink and Grey 1868–78 James Abbott McNeill Whistler (1834–1903)

Three Figures: Pink and Grey 1868–78 Tate
Lady in a Long Pink Dress 1872–1876 James Abbott McNeill Whistler (1834–1903)

Lady in a Long Pink Dress 1872–1876 The Fitzwilliam Museum
Study of a Standing Female Nude, Facing Right, Holding a Parasol in Her Right Hand 1870–1873 James Abbott McNeill Whistler (1834–1903)

Study of a Standing Female Nude, Facing Right, Holding a Parasol in Her Right Hand 1870–1873 The Fitzwilliam Museum
Design for Matting 1873–1875 James Abbott McNeill Whistler (1834–1903)

Design for Matting 1873–1875 The Fitzwilliam Museum
Study of Elinor Leyland James Abbott McNeill Whistler (1834–1903)

Study of Elinor Leyland The Fitzwilliam Museum
Crepuscule in Flesh Colour and Green: Valparaiso 1866 James Abbott McNeill Whistler (1834–1903)

Crepuscule in Flesh Colour and Green: Valparaiso 1866 Tate
Design for Matting 1873–1875 James Abbott McNeill Whistler (1834–1903)

Design for Matting 1873–1875 The Fitzwilliam Museum
Grey and Silver – North Sea c.1884 James Abbott McNeill Whistler (1834–1903)

Grey and Silver – North Sea c.1884 The Fitzwilliam Museum
A Girl in a Long Blue and Red Dress 1873–1876 James Abbott McNeill Whistler (1834–1903)

A Girl in a Long Blue and Red Dress 1873–1876 The Fitzwilliam Museum
A Girl in a Long Blue and Red Dress 1873–1876 James Abbott McNeill Whistler (1834–1903)

A Girl in a Long Blue and Red Dress 1873–1876 The Fitzwilliam Museum
Nocturne: Blue and Silver - Chelsea 1871 James Abbott McNeill Whistler (1834–1903)

Nocturne: Blue and Silver - Chelsea 1871 Tate Britain
Blue and Silver: Screen, with Old Battersea Bridge 1871–1872 James Abbott McNeill Whistler (1834–1903)

Blue and Silver: Screen, with Old Battersea Bridge 1871–1872 Hunterian Art Gallery, University of Glasgow
Harmony in Grey and Green: Miss Cicely Alexander 1872–4 James Abbott McNeill Whistler (1834–1903)

Harmony in Grey and Green: Miss Cicely Alexander 1872–4 Tate
Miss Agnes Mary Alexander c.1873 James Abbott McNeill Whistler (1834–1903)

Miss Agnes Mary Alexander c.1873 Tate
Portrait Study of a Man 1890s James Abbott McNeill Whistler (1834–1903)

Portrait Study of a Man 1890s The Fitzwilliam Museum
Study of a Standing, Draped Female figure, Hand at Chin 1871–1873 James Abbott McNeill Whistler (1834–1903)

Study of a Standing, Draped Female figure, Hand at Chin 1871–1873 The Fitzwilliam Museum
Venus 1859 James Abbott McNeill Whistler (1834–1903)

Venus 1859 Rye Art Gallery
La vielle aux loques James Abbott McNeill Whistler (1834–1903)

La vielle aux loques Rye Art Gallery
Symphony in White, No. III 1865–1867 James Abbott McNeill Whistler (1834–1903)

Symphony in White, No. III 1865–1867 The Barber Institute of Fine Arts
Portrait James Abbott McNeill Whistler (1834–1903)

Portrait Museums Sheffield
'The Adam and Eve', Old Chelsea James Abbott McNeill Whistler (1834–1903)

'The Adam and Eve', Old Chelsea Rye Art Gallery
The Unsafe Tenement James Abbott McNeill Whistler (1834–1903)

The Unsafe Tenement Rye Art Gallery
The Dancing Lesson James Abbott McNeill Whistler (1834–1903)

The Dancing Lesson Museums Sheffield
Parisian Street James Abbott McNeill Whistler (1834–1903)

Parisian Street Rye Art Gallery
The Canal, Amsterdam 1889 James Abbott McNeill Whistler (1834–1903)

The Canal, Amsterdam 1889 Hunterian Art Gallery, University of Glasgow
Lillie: An Oval 1896 James Abbott McNeill Whistler (1834–1903)

Lillie: An Oval 1896 Hunterian Art Gallery, University of Glasgow
The Jade Necklace 1896–1900 James Abbott McNeill Whistler (1834–1903)

The Jade Necklace 1896–1900 Hunterian Art Gallery, University of Glasgow
Head of a Peasant Woman 1855–1858 James Abbott McNeill Whistler (1834–1903)

Head of a Peasant Woman 1855–1858 Hunterian Art Gallery, University of Glasgow
The Artist's Niece 1849 James Abbott McNeill Whistler (1834–1903)

The Artist's Niece 1849 Hunterian Art Gallery, University of Glasgow
Harmony in Blue and Violet: Miss Finch c.1885 James Abbott McNeill Whistler (1834–1903)

Harmony in Blue and Violet: Miss Finch c.1885 Hunterian Art Gallery, University of Glasgow
A Shop c.1884–1890 James Abbott McNeill Whistler (1834–1903)

A Shop c.1884–1890 Hunterian Art Gallery, University of Glasgow
Miss Rosalind Birnie Philip Standing c.1897 James Abbott McNeill Whistler (1834–1903)

Miss Rosalind Birnie Philip Standing c.1897 Hunterian Art Gallery, University of Glasgow
Brown and Gold c.1895–1900 James Abbott McNeill Whistler (1834–1903)

Brown and Gold c.1895–1900 Hunterian Art Gallery, University of Glasgow
Study of an Italian Boy c.1897–1900 James Abbott McNeill Whistler (1834–1903)

Study of an Italian Boy c.1897–1900 Hunterian Art Gallery, University of Glasgow
La toison rouge c.1896–1902 James Abbott McNeill Whistler (1834–1903)

La toison rouge c.1896–1902 Hunterian Art Gallery, University of Glasgow
Flesh Colour and Silver: The Card Players c.1898 James Abbott McNeill Whistler (1834–1903)

Flesh Colour and Silver: The Card Players c.1898 Hunterian Art Gallery, University of Glasgow
Sketch for 'The Balcony' c.1867–1870 James Abbott McNeill Whistler (1834–1903)

Sketch for 'The Balcony' c.1867–1870 Hunterian Art Gallery, University of Glasgow
Study of Draped Figures c.1864–1865 James Abbott McNeill Whistler (1834–1903)

Study of Draped Figures c.1864–1865 Hunterian Art Gallery, University of Glasgow
Nocturne: Blue and Gold, St Mark’s, Venice 1880 James Abbott McNeill Whistler (1834–1903)

Nocturne: Blue and Gold, St Mark’s, Venice 1880 National Museum Wales, National Museum Cardiff
La sylphide c.1896–1900 James Abbott McNeill Whistler (1834–1903)

La sylphide c.1896–1900 Hunterian Art Gallery, University of Glasgow
Violet and Rose: Carmen qui rit c.1898 James Abbott McNeill Whistler (1834–1903)

Violet and Rose: Carmen qui rit c.1898 Hunterian Art Gallery, University of Glasgow
Sketch of Miss Ethel Philip c.1897–1900 James Abbott McNeill Whistler (1834–1903)

Sketch of Miss Ethel Philip c.1897–1900 Hunterian Art Gallery, University of Glasgow