This enigmatic picture shows the artist's second wife, Emma, and their new-born son. The pose is reminiscent of a traditional Madonna and child but the mother's strained expression suggests that this is not a celebration of marriage and motherhood. The domestic details of the room are indicative of a contemporary-life subject in which this could be a kept woman offering her illegitimate child to its father, the figure reflected in the mirror. Ford Madox Brown began this picture in 1851 and although he worked on it over a number of years it remained unfinished at the time of his death.