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Notes
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Opie's innate sympathy for his subject, his unpretentious style and his early experience painting vagrants and country people in Cornwall raised this work far above the level of most of his contemporaries. Opie cleverly depicts the viewer's shadow partially cast over the sitter, creating an illusion of intimacy.
This picture shows why his reputation became so high in the 1780s, and adds weight to J. W. Scobell Armstrong's view that 'none of his maturer works as a portrait painter surpassed the best of his achievements during those years'.
Many experts consider this to be one of Opie's finest paintings.
Falmouth Art Gallery
Falmouth
Title
The Beggar Boy
Medium
oil on canvas
Measurements
H 91.3 x W 71.2 cm
Accession number
FAMAG:2004.16
Acquisition method
purchased with the assistance of the Heritage Lottery Fund, the Museums, Libraries and Archives Council/Victoria and Albert Museum Purchase Grant Fund, the National Art Collections Fund, the Beecroft Bequest, Cornwall Heritage Trust and the Canterbury Auction Galleries, 2004
Work type
Painting
Falmouth Art Gallery
Municipal Buildings, The Moor, Falmouth, Cornwall TR11 2RT England
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Self Portrait St Agnes Museum -
Sir Simon Le Blanc (1748/1749–1816), Fellow (1779–1799) Trinity Hall, University of Cambridge -
Portrait of a Boy in a Top Hat with Flies Victoria and Albert Museum -
The Cornish Girl Watford Museum -
Amelia Alderson Opie (1769–1853), Writer, the Artist's Second Wife Chawton House Library -
Shute Barrington (1734–1826) Bodleian Libraries, University of Oxford -
Philip Champion de Crespigny (1738–1803), MP Kelmarsh Hall - 194 more
