How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
This large-scale painting, both ambitious and complex in conception, is the key mid-nineteenth century image addressing emigration. Rich in interpretative material, it focuses on the reactions of those left behind on shore. The scene is set along the Thames. Groups of figures, in a mix of gender and social class, are shown on the quayside as an emigrant ship departs. Sailors are shown cheering from the deck of the ship and from the sides of the rigging. They wave hats and arms or stretch out to maintain the links with shore for as long as possible. Partly in shadow, a group of emigrants look out from the deck below. They are subdued in contrast to the scene around them. A steam-tug guides the emigrant ship away from land; its red funnel spewing out the dark smoke, which spreads over the scene.
O’Neil’s image reflects the urban stratification of the metropolitan crowd, with middle and working classes united in a display of grief.
Title
The Parting Cheer
Date
1861
Medium
oil on canvas
Measurements
H 132 x W 186 cm
Accession number
ZBA4022
Work type
Painting