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Notes
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The upper layers of paint in the draperies are faded so that you can see the underdrawing -- or sinopia -- beneath. Traces of paint reveal that the draperies were originally blue. The figure's pose -- she recoils in fear, drawing her hand to her breast -- is similar to images of the Virgin receiving the news of that she would bear the Son of God at the Annunciation.This fragment of fresco once formed part of the border decoration of a large wall painting in the chapter house of San Francesco, Siena. It was removed in the nineteenth century and purchased by the archaeologist and National Gallery trustee, Austen Henry Layard. As an example of the work of the workshop of the Sienese painter Pietro Lorenzetti, who, with his brother, Ambrogio, decorated several important religious and public buildings in Siena with frescoes, it was a desirable object despite its poor condition.
Title
A Female Saint
Date
probably 1330-9
Medium
Fresco (with areas of secco)
Measurements
H 39.4 x W 27.9 cm
Accession number
NG3072
Acquisition method
Layard Bequest, 1916
Work type
Painting
