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Notes
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An unidentified man regards us with a look of affable irony, his eyebrows raised. His chain mail sleeves and tunic would have been worn beneath plate armour, suggesting that he engages in some form of military activity. Similar costume is worn by noblemen in other portraits by Moroni.The sitter's reaction to our presence -- raising his eyebrows -- creates a strong sense of psychological interaction. This expression is unusual in portraiture at this date although Moroni repeated it elsewhere. The feathery brushstrokes in the face, beard and hair bring a liveliness and spontaneity to this small, intimate portrait, and add to the sense that this is a fleeting expression painted rapidly from life.Moroni uses unobtrusive diagonals set up by background shadows and the slope of the shoulders to give emphasis to the sitter's raised eyebrows and the tilt of his head.
Title
Portrait of a Man with Raised Eyebrows
Date
about 1570-5
Medium
Oil on canvas
Measurements
H 45.7 x W 37.8 cm
Accession number
NG3128
Acquisition method
Layard Bequest, 1916
Work type
Painting
The National Gallery, London
Trafalgar Square, London, Greater London WC2N 5DN England
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Queen Esther Calderdale Metropolitan Borough Council -
Giovanni Bressani (1490–1560) National Galleries of Scotland, Scottish National Gallery -
The Transfiguration The Fitzwilliam Museum -
Portrait of a Man with Raised Eyebrows The National Gallery, London -
Portrait of a Left-Handed Gentleman with Two Quartos and a Letter ('Il Gentile Cavaliere') The National Gallery, London -
The Mystic Marriage of St Catherine The Ashmolean Museum of Art and Archaeology -
Portrait of a Lady, perhaps Contessa Lucia Albani Avogadro ('La Dama in Rosso') The National Gallery, London - 12 more