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Henry Fuseli
1741–1825
(b Zurich, 6 Feb. 1741; d Putney, Surrey [now in London], 16 Apr. 1825). Swiss-born painter, draughtsman, and writer on art, active mainly in England, where he was one of the outstanding figures of the Romantic movement.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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The Mandrake: A Charm 1756–1785 Henry Fuseli (1741–1825)The Mandrake: A Charm 1756–1785 Yale Center for British Art
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Courtship late 18th C Henry Fuseli (1741–1825) (follower of)Courtship late 18th C Victoria and Albert Museum
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The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy... c.1780 Henry Fuseli (1741–1825)The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy Land) c.1780 Sir John Soane’s Museum
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'Macbeth', Act I, Scene 3, the Weird Sisters c.1783 Henry Fuseli (1741–1825)'Macbeth', Act I, Scene 3, the Weird Sisters c.1783 Royal Shakespeare Theatre
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'Henry V', Act II, Scene 2, Henry V Discovering the Conspirators 1780s Henry Fuseli (1741–1825)'Henry V', Act II, Scene 2, Henry V Discovering the Conspirators 1780s Royal Shakespeare Theatre
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Dido 1781 Henry Fuseli (1741–1825)Dido 1781 Yale Center for British Art
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Percival Delivering Belisane from the Enchantment of Urma exhibited 1783 Henry Fuseli (1741–1825)Percival Delivering Belisane from the Enchantment of Urma exhibited 1783 Tate
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The Death of Oedipus 1783–1784 Henry Fuseli (1741–1825)The Death of Oedipus 1783–1784 Walker Art Gallery
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Dispute between Hotspur, Glendower, Mortimer and Worcester 1784 Henry Fuseli (1741–1825)Dispute between Hotspur, Glendower, Mortimer and Worcester 1784 Birmingham Museums Trust
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Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione (William Shakespeare's 'The Winter's Tale') 1785/1786 Henry Fuseli (1741–1825)Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione (William Shakespeare's 'The Winter's Tale') 1785/1786 National Trust, Hinton Ampner
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Titania and Bottom c.1790 Henry Fuseli (1741–1825)Titania and Bottom c.1790 Tate
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Mistress Page in 'The Merry Wives of Windsor' by William Shakespeare c.1790–1795 Henry Fuseli (1741–1825) (attributed to)Mistress Page in 'The Merry Wives of Windsor' by William Shakespeare c.1790–1795 The Stanley & Audrey Burton Gallery, University of Leeds
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A Shakespearean Subject 1785/1786 Henry Fuseli (1741–1825)A Shakespearean Subject 1785/1786 National Trust, Hinton Ampner
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Prospero 1789 Henry Fuseli (1741–1825)Prospero 1789 York Art Gallery
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Thor Battering the Midgard Serpent 1790 Henry Fuseli (1741–1825)Thor Battering the Midgard Serpent 1790 Royal Academy of Arts
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Christ Disappearing at Emmaus 1792 Henry Fuseli (1741–1825)Christ Disappearing at Emmaus 1792 Yale Center for British Art
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The Apothesis of Penelope Boothby 1792–1794 Henry Fuseli (1741–1825)The Apothesis of Penelope Boothby 1792–1794 Wolverhampton Art Gallery
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Macbeth, Banquo and the Witches 1793–1794 Henry Fuseli (1741–1825)Macbeth, Banquo and the Witches 1793–1794 National Trust, Petworth House
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The Shepherd's Dream, from 'Paradise Lost' 1793 Henry Fuseli (1741–1825)The Shepherd's Dream, from 'Paradise Lost' 1793 Tate
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Teiresias Foretells the Future to Odysseus c.1800 Henry Fuseli (1741–1825)Teiresias Foretells the Future to Odysseus c.1800 National Museum Wales, National Museum Cardiff