- Artist: Maratta, Carlo, 1625–1713 Remove
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Carlo Maratta
1625–1713
(Born Camerano, 15 May 1625; died Rome, 15 December 1713). Italian painter. He was the leading painter of his time in Rome and after the death of Bernini in 1682 he was the most famous artist in the city.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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A Youth c.1700 Carlo Maratta (1625–1713) (attributed to)A Youth c.1700 National Trust, Attingham Park
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Arcangelo Corelli (1653–1713) c.1700 Carlo Maratta (1625–1713) (after)Arcangelo Corelli (1653–1713) c.1700 Royal College of Music
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Arcangelo Corelli (1653–1713) c.1700 Carlo Maratta (1625–1713) (after)Arcangelo Corelli (1653–1713) c.1700 Royal College of Music
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Cardinal Antonio Barberini (1607–1671) c.1660 Carlo Maratta (1625–1713) (copy after)Cardinal Antonio Barberini (1607–1671) c.1660 Museum of the Order of St John
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Cardinal Jacopo Rospigliosi 1667–1669 Carlo Maratta (1625–1713)Cardinal Jacopo Rospigliosi 1667–1669 The Fitzwilliam Museum
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Diana and Actaeon Carlo Maratta (1625–1713) (studio of)Diana and Actaeon Christ Church, University of Oxford
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Head of the Madonna Carlo Maratta (1625–1713) (style of)Head of the Madonna National Trust, Belton House
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Landscape with the Union of Dido and Aeneas about 1664-8 Gaspard Dughet (1615–1675) and Carlo Maratta (1625–1713)Landscape with the Union of Dido and Aeneas about 1664-8 The National Gallery, London
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Madonna and Child 17th C Carlo Maratta (1625–1713) (style of)Madonna and Child 17th C National Trust, Nostell Priory
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Madonna and Child Attended by Angels Carlo Maratta (1625–1713)Madonna and Child Attended by Angels Glasgow Museums Resource Centre (GMRC)
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Madonna and Child with Angels c.1640–1746 Carlo Maratta (1625–1713) (after)Madonna and Child with Angels c.1640–1746 National Trust, Erddig
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Marchese Niccolò Maria Pallavicini Guided to the Temple of Virtue by Apollo, with a Self Portrait of the Artist 1705 Carlo Maratta (1625–1713)Marchese Niccolò Maria Pallavicini Guided to the Temple of Virtue by Apollo, with a Self Portrait of the Artist 1705 National Trust, Stourhead
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Portrait of a Gentleman Carlo Maratta (1625–1713) (circle of)Portrait of a Gentleman National Trust for Scotland, Haddo House
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Saint Cecilia Carlo Maratta (1625–1713) (style of)Saint Cecilia Canterbury Museums and Galleries
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Saint James the Greater c.1661 Carlo Maratta (1625–1713)Saint James the Greater c.1661 Temple Newsam House, Leeds Museums and Galleries
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Sir Thomas Isham (1656–1681), 3rd Bt Isham 1676 Carlo Maratta (1625–1713)Sir Thomas Isham (1656–1681), 3rd Bt Isham 1676 Lamport Hall
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Sir Thomas Isham (1656–1681), 3rd Bt Isham Carlo Maratta (1625–1713) (after)Sir Thomas Isham (1656–1681), 3rd Bt Isham Lamport Hall
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Study for the Head of Saint Charles Borommeo c.1658–1690 Carlo Maratta (1625–1713)Study for the Head of Saint Charles Borommeo c.1658–1690 The Barber Institute of Fine Arts
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The Adoration of the Shepherds Carlo Maratta (1625–1713) (follower of)The Adoration of the Shepherds St Anne's College, University of Oxford
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The Angel of the Annunciation in a Garland of Flowers Mario Nuzzi (c.1603–1673) (attributed to) and Carlo Maratta (1625–1713) (attributed to)The Angel of the Annunciation in a Garland of Flowers National Trust, Tatton Park