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Notes
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Seven of the figures derive from Holbein's group portrait Sir Thomas More with his Family and Household (1527–1528), which was destroyed in the eighteenth century. Its appearance is recorded in a copy by Lockey at Nostell Priory, Yorkshire, and in Holbein's preliminary drawing in the Kuntsmuseum, Basle, reproduced four of the figures probably painted from life by Lockey. The portrait of Anne More, hanging in the background, is presumably a copy of a portrait of c.1560. The sitters, with their coats of arms displayed above them, are (from left to right): Sir John More (1451?–1530), Judge, Father of Sir Thomas More; Ann Cresacre (1511–1577), wife of John More II; Sir Thomas More (1478–1535), Lord Chancellor; John More II (1510–1547), only son of Sir Thomas More; Cecily More (b.
Title
Sir Thomas More, his father, his household and his descendants
Date
1593
Medium
oil on canvas
Measurements
H 227.4 x W 330.2 cm
Accession number
2765
Acquisition method
Bequeathed by Emslie John Horniman, 1935
Work type
Painting
National Portrait Gallery, London
St Martin’s Place, London, Greater London WC2H 0HE England
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James I and VI (1566–1625), as a Boy National Trust, Hardwick Hall -
Sir Thomas More and His Family National Trust, Nostell Priory -
George Talbot (1528–1590), 6th Earl of Shrewsbury National Trust, Hardwick Hall -
Lady Margaret Beaufort (1443–1509) at Prayer, Countess of Richmond and Derby, Mother of King Henry VII and Foundress of the College St John's College, University of Cambridge -
Sir Thomas More, his father, his household and his descendants National Portrait Gallery, London -
Elizabeth Hardwick (1520–1608), Countess of Shrewsbury, 'Bess of Hardwick' National Trust, Hardwick Hall -
John King, Bishop of London Christ Church, University of Oxford - 6 more
