How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
At the outbreak of the War of the Austrian Succession in 1740, Commodore George Anson was sent to the Pacific with a squadron of six ships, his own being the 'Centurion', 60 guns. His instructions were to damage Spanish interests in the Pacific at a time when Spain and England were competing for maritime supremacy. Anson sailed via Cape Horn but by the time he reached Macao, China, in November 1742, 'Centurion', was the only surviving ship in his squadron, the others having been separated or wrecked. After wintering there he set off on 29 April 1743 in search of the immensely valuable Manila galleon 'Nuestra Señora de Covadonga', which he sighted while cruising through Philippine waters in June 1743. He immediately attacked the 'Covadonga', which was heavily laden with cargo from Acapulco. During an attempt to escape the Spaniards threw part of this into the ocean, to no avail, and Anson was able to seize the 'Covadonga's treasure of Spanish dollars, silver and other valuable goods. Its value was immense and not only ensured the financial success of the voyage but made Anson wealthy for life.
Scott belonged to the first generation of British marine painters, who worked in the tradition of the van de Veldes and the other Dutch artists who came to practice in London from the 1670s. His reputation chiefly rests on his topographical views of London but he was a very good marine painter, who accepted commissions like this and whose artistic and social skills eclipsed – at least in business terms – those of his slightly earlier contemporary Peter Monamy.
Title
The Capture of the 'Nuestra Señora de Covadonga' by HMS 'Centurion', 20 June 1743
Date
c.1743
Medium
oil on canvas
Measurements
H 102.9 x W 151.1 cm
Accession number
BHC0360
Work type
Painting